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Beyond the Veil: Reclaiming Our Connection to the Invisible Realms

  • The DrumRoll Team
  • Apr 2
  • 5 min read

An interview-inspired feature with Eunice Stott, Specialist and Teacher of Psychic Arts NZ School of Psychic Arts (SoPA)




What if the creatures we’ve been taught to call “mythical” were never myths at all - only misunderstood?


Unicorns. Dragons. Pegasus. Fairies. Angels. Giants.


Across cultures and centuries, they appear again and again - woven into stories, scriptures, and folklore. But for Eunice Stott, specialist in all things mystical, these beings are not relics of imagination. They are part of a wider, living reality - one that exists just beyond the limits of human perception.


“I don’t see them as mythical fantasy,” she says simply.


And with that, the conversation shifts - from imagination to possibility.



Where Do Myths Come From?


Human history is filled with stories of extraordinary beings - dragons in ancient texts, unicorns symbolising purity, angels appearing across spiritual traditions, and fairies hidden in woodland lore.


We tend to group them together under one word: myth.


But Eunice challenges that assumption.


“Fairy tales have to come from somewhere.”


Rather than dismissing these stories as fantasy, she suggests they may be rooted in real experiences - glimpses of other dimensions interpreted through human understanding. Just as ancient civilisations built structures we still struggle to explain, perhaps they also experienced realities we no longer access.


Even the idea of giants, she notes, may not be as far-fetched as we think. There could have been gigantic beings who once walked the Earth, later disappearing or evolving (becoming smaller) over time. The absence of evidence today does not mean absence in the past.


In this light, myth becomes memory - expanded, retold, and reshaped across generations.



Encounters Beyond the Physical


Eunice’s own experiences began early in her spiritual journey. During meditation, she describes being visited by Pegasus - not as a symbol, but as a presence.


“He appeared… and would take me to other realms,” she recalls.


For her, these encounters were not imagined or symbolic. They were experiential - journeys into dimensions that felt as real, if not more so, than the physical world.


And Pegasus is only one example. The same can be said for dragons, Pheonix, or the subtle presence of nature spirits - each existing within their own frequency or realm.


The reason we don’t commonly see them, she explains, is not because they aren’t there - but because we are not tuned to perceive them.



The Realms Beside Us


What if these beings are not somewhere far away, but right here - just beyond our sight?


“They might just be in their dimension… and you can’t see them,” Eunice explains.


This idea reframes everything. Instead of imagining a distant magical world, we begin to consider overlapping realities - layers of existence coexisting in the same space.


Occasionally, those layers thin.


During the interview, a powerful story emerges of a moment in Glastonbury - a place long associated with mystical energy and a legendary location of ‘Fairyland’. Sitting in meditation on The Tor in Glastonbury, the interviewer asked to be taken to “Fairyland.”


What happened next was not what they expected.


A large bird appeared in flight - and then, impossibly, began to disappear. Not all at once, but in sections, as if passing through an invisible veil.


“It disappeared in stages… like it was flying into something,” they describe.


It was not an invitation into the realm - but it was proof.


Proof that something existed.


Eunice’s response to this moment is telling. The experience wasn’t denied - but it also wasn’t fully granted.


“It comes in instalments,” she explains.


“You were shown enough to know it is real - but not necessarily allowed in…yet!”



Why the Veil Exists


If these realms are real, why are they hidden?


Eunice believes there was a time when the boundaries between worlds were far more open - when humans lived in closer harmony with nature, and connection came more naturally.


But over time, something changed.


“I don’t think the veil was as rigid… as it used to be,” she says.


Today, the separation feels stronger - and perhaps, she suggests, it needs to be.

Not as punishment, but as protection.


For the land. For those realms. And for the balance between worlds.


Humanity’s relationship with the Earth - and with each other - has shifted. There is more disconnection, more harm, more self-interest. And as that has grown, access to these subtler dimensions may have naturally withdrawn.


“They’ve closed them and said, only the ones who prove themselves are allowed in.”



The Difference Between Curiosity and Connection


One of the most profound insights Eunice offers is this: wanting to see is not the same as being ready to connect.


Curiosity alone is not enough.


“Why do we want to connect?” she asks.


Is it wonder? Ego? Proof? Or something deeper?


True connection, she explains, comes from purity of thought, of heart, and of intention.


It is not about what we can get, but what we can give.


“It’s not just about what we get out of it… it’s what can you give back?”


This shift - from seeking to offering - is what opens the door.



A Story of Giving Back


This idea comes to life beautifully in Eunice’s own experience with nature.


During a difficult time in her life, she would retreat to a garden - seeking refuge beneath a willow tree. Even in heavy rain, the tree sheltered her. More than that, it comforted her.


The tree welcomed her and when asked for comfort gently rebalanced her energy / aura, she recalls.


It gave her strength. Calm. The ability to keep going.


But she didn’t see this as something to simply receive.


Over time, she found her own way to give back.


Working as a wedding coordinator, she would speak to couples about the beauty of the garden - the trees, the plants, the unseen presence that made the space feel special. She honoured it. She acknowledged it. She helped others feel it too.


In doing so, she returned something of value - not in a physical sense, but in recognition and respect.


“It gave to me… but I didn’t just take. I gave back in the only way I could.”


It is a simple story - but it carries a powerful truth.


Connection is reciprocal.



The Power of Asking


Another key insight lies in persistence.


In the Glastonbury story, the experience stopped after that single moment. The request was asked once - and then not again.


Eunice’s response is direct:

“Keep asking. You need to persevere. Ask, intend – prove your worthiness. What is your reason for wanting to see Fairyland – is it a worthy cause?”


Spiritual connection is not a one-time request. It is an ongoing dialogue - one that requires patience, openness, and consistency.


If we stop asking, we stop opening.


And sometimes, what we are shown is only the beginning.



The Divine Secret


At the heart of everything Eunice shares is what she calls a “divine secret.”


It is not technique. It is not knowledge. It is not even belief.


It is selflessness.


“If the real you really cares… and doesn’t put yourself first, then you might be given the key to a secret.”


Not because you demanded it.


But because you were ready for it.



A New Way of Seeing


Perhaps the greatest invitation in Eunice’s work is not to believe in mythical creatures, but to reconsider how we define reality itself.


What if the world is more layered than we’ve been taught?

What if imagination is not invention, but perception?

What if the unseen is not absent, but simply waiting?


In a time when many are seeking deeper meaning, her perspective offers a quiet but powerful reminder: Because maybe the magic never disappeared to become Myth.

Maybe we simply stopped noticing what was there.



This content has been supplied by Eunice A. Stott. All content is the opinion and copyright of the author and does not necessarily reflect the opinion of DrumRoll Promotions Ltd. If you have any questions regarding this article you may wish to contact the author direct.

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